The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious “Stage Door Slasher") assemble for a backer’s audition of their new show at the Westchester estate of a wealthy “angel.” The house is replete with sliding panels, secret passageways, and a German maid who is apparently four different people—all of which figure diabolically in the comic mayhem which follows when the infamous “Slasher” makes his reappearance and strikes again—and again. As the composer, lyricist, actors, and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the “Slasher” unmasked—but not before the audience has been treated to a sidesplitting good time and a generous serving of the author’s biting, satiric, and refreshingly irreverent wit.
Videos
Almost, Maine
Allen Contemporary Theatre (1/24 - 2/9) | ||
Heartbreak Hotel
Plaza Theatre Company (12/31 - 1/25) | ||
The African Company Presents Richard III
Soul Rep Theatre Company (1/30 - 2/8) | ||
Clue
Bass Performance Hall (3/25 - 3/30) | ||
Moulin Rouge!
Bass Performance Hall (6/10 - 6/15) | ||
Ain't Too Proud (Non-Equity)
Winspear Opera House (5/1 - 5/4) | ||
Epic Proportions
Runway Theatre (5/30 - 6/15) | ||
Catch Me If You Can, the Musical
Runway Theatre (4/4 - 4/20) | ||
Box
Undermain Theatre (2/27 - 3/23) | ||
Savannah Sipping Society
Runway Theatre (1/24 - 2/9) | ||
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