Ricky Roma. Shelly "The Machine" Levene. Moss. Aaronow. Williamson. Not to mention Mitch and Murray. The infamous real estate hustlers of David Mamet's Glengarry Glen Ross have long represented the American male at his Darwinian nadir: desperate, backstabbing, criminal, and rather deft with the placement of a coital intensifier. Does the ruthless competition driving the play relate only to men, or has traditional casting denied this work its universality? In a taut staged reading by First Person Singular, seven of the Bay Area's finest female actors will deliver the answer. It may not be pretty.
Videos
Daisy
Hillbarn Theatre (1/23 - 2/9) | ||
Voctave: The Corner of Broadway & Main Street
San Francisco Conservatory of Music, Caroline H. Hume Concert Hall (1/21 - 1/22) | ||
Tina: The Tina Turner Musical (Non-Equity)
Saroyan Theatre (5/12 - 5/13) | ||
Dear San Francisco
Club Fugazi (10/12 - 7/31) | ||
In Love and Warcraft
City Lights Theater Company (1/16 - 2/9) | ||
Parade
Curran Theater (5/13 - 6/8) | ||
The Mousetrap
City Lights Theater Company (3/13 - 4/6) | ||
Waitress
San Francisco Playhouse (11/21 - 1/18) | ||
Ain't Too Proud — The Life and Times of the Temptations
Golden Gate Theatre (2/25 - 3/2) | ||
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