I came here to weep is a performance co-created with its audience. It is a confession, an intentional undoing, an exorcism. Castro asks questions about gathering in performance, catharsis and manipulation: Why are we here? How do we assemble? Are we community? The project contemplates assembling and weeping as direct action, as communal trust. Composed of participatory scores for the public, dances for mourning, and the re-composing and redaction of U.S. treaties on territorial possession, “weep” is a space for congregating, negotiating with the public how we inhabit together.
Videos
Voctave: The Corner of Broadway & Main Street
San Francisco Conservatory of Music, Caroline H. Hume Concert Hall (1/21 - 1/22) | ||
Daisy
Hillbarn Theatre (1/23 - 2/9) | ||
UNCLE VANYA
Berkeley Repertory Theatre (2/14 - 3/23) | ||
Co-Founders
A.C.T.'s Strand Theater (5/29 - 7/6) | ||
Nobody Loves You
The Toni Rembe Theater (formerly The Geary Theater) (2/28 - 3/30) | ||
Head Over Heels
City Lights Theater Company (7/17 - 8/24) | ||
The Mousetrap
City Lights Theater Company (3/13 - 4/6) | ||
Miguel Zenón
Lesher Center for the Arts (4/11 - 4/11) | ||
A Beautiful Noise: The Neil Diamond Musical
Golden Gate Theatre (6/3 - 6/22) | ||
VIEW SHOWS ADD A SHOW |
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