Matthew Broderick and Nathan Lane lead an all-star cast featuring F. Murray Abraham, Stockard Channing, Megan Mullally and Micah Stock in the Broadway comedy about the comedy of Broadway: It's Only a Play. Written by four-time Tony winner Terrence McNally and directed by three-time Tony winner Jack O'Brien, this is a celebration of theatre at its best- and theatre people behaving their not-so-best.
It's opening night of Peter Austin's (Matthew Broderick) new play as he anxiously awaits to see if his show is a hit. With his career on the line, he shares his big First Night with his best friend, a television star (Nathan Lane), his fledgling producer (Megan Mullally), his erratic leading lady (Stockard Channing), his wunderkind director, an infamous drama critic (F. Murray Abraham) and a fresh-off-the-bus coat check attendant (Micah Stock in his Broadway debut).
It's alternately raucous, ridiculous and tender- reminding audiences why there's no business like show business. Thank God!
...when [McNally] writes about the theater, as he does in It's Only a Play...he knows what he's writing about. That's the great pleasure of it, and perhaps the great problem. It's the kind of show, filled with sly references and oversize personalities, that used to be called a back-stager or a love letter. But it isn't quite either. For one thing, it's more of an off-stager, set at the opening night party for a disaster-in-the-making called The Golden Egg...But having assembled a lifeboat of extreme personalities, McNally doesn't let much happen...Rather, what McNally offers, mostly in chop-chop joke format...is a comic rumination on life in the theater...If it's a love letter at all, it's a love letter to what theater has become, which is to say a horrible business filled with insane people, vindictive critics, and Tommy Tune.
Some people might call 'It's Only A Play' a valentine to the theater, but you mustn't believe them. Terrance McNally's play is not so much a love letter from a shy, smitten admirer as a mash note sent by a stalker who's written it in capital letters and smeared it with what may be bodily fluids. Whatever it is, it's a pure hoot, a rollicking comedy with perfect casting and deft direction in Jack O'Brien that gleefully dissects modern Broadway and doesn't pretend to mask its targets by using fake names...Lane is the unquestionable star here, at his droll best with perfect timing, mugging when he needs to or raising a haughty eyebrow to sell a joke the next. The rest of the cast -- including a really remarkable Broadway debut by Stock in a company of powerful stars -- is superb, all hysterical at first and then revealing deeper desires as the play continues.
1986 | Off-Broadway |
Off-Broadway |
2014 | Broadway |
Broadway Revival Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | BroadwayWorld Awards | Best Featured Actor in a Play | Rupert Grint |
2015 | Drama Desk Awards | Outstanding Featured Actor in a Play | F. Murray Abraham |
2015 | Drama League Awards | Outstanding Revival of a Broadway or Off-Broadway Play | Terrence McNally |
2015 | Theatre World Awards | Theatre World Award | Micah Stock |
2015 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Micah Stock |
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