Based on the satirical play by Friedrich Durrenmatt as adapted by Maurice Valency, The Visit is about greed, love, and one woman's carefully plotted revenge. The oft-widowed Claire Zachanassian (Chita Rivera), richest woman in the world, returns to the hardship-stricken town of her birth. The locals pray that her wealth will bring them a new lease on life, but her arrival carries a dreadful price. Tony Award winner Roger Rees co-stars as Anton Schell, the man who scorned Claire years ago. Sardonic and morally complex, The Visit asks "What can your heart afford?"
Watching Rees and Rivera...On Broadway, it feels far sadder and more plaintive, and perhaps a commentary on Europe's less than stellar record with outsiders. Most of all, though, 'The Visit' now feels to be about the pain of growing older and, however rich we may or may not have grown, our inability to assuage our past mistakes, or even stop the demons that thud in our chests...It remains a weird musical, of course...Rivera is older now, and thus her Claire's determination for finality, her lack of any fear of anyone's death, makes more sense, especially when surrounded by Rees' cagey sadness (his performance is so complex and credible, it unlocks much previously hidden). Doyle, as one might expect from his past work, eschews literal staging. That works for this piece, aside from a few too many swings of a coffin.
It's an arresting vehicle for the indomitable Chita Rivera...she remains a uniquely steely stage presence at 82 -- graceful, dignified and commanding...The dramatic weak point is Anton. While Rees is a fine, sensitive actor, there's something unsatisfying about the way his role is drawn...Doyle and company access the mordant absurdist humor of Durrenmatt's work, but the chilling social and political critique...is diluted in the streamlined show...The big issue is one of repetitiveness, as McNally treads similar ground from character to character, without much complexity...Even Kander's score, with its lethargic but insistent Kurt Weill-style oom-pah circus rhythms, has a sameness at times...One of the production's rewards is the thrilling choral singing and exquisitely textured harmonies. But unquestionably, the reason to see The Visit, even with its flaws, is the star, whose brittle vocals cut like ice.
1999 | New York |
Reading New York |
2001 | Broadway |
Original Broadway Production [Cancelled] Broadway |
2001 | Chicago (Regional) |
World Premiere Chicago (Regional) |
2004 | Off-Broadway |
Original Off-Broadway Production [Cancelled] Off-Broadway |
2007 | Arlington, VA (Regional) |
Signature Theatre Production Arlington, VA (Regional) |
2008 | Arlington, VA (Regional) |
Kander & Ebb Celebration Production Arlington, VA (Regional) |
2014 | Williamstown, MA (Regional) |
Williamstown Theatre Festival Production Williamstown, MA (Regional) |
2015 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | Drama Desk Awards | Outstanding Actress in a Musical | Chita Rivera |
2015 | Drama Desk Awards | Outstanding Book of a Musical | Terence McNally |
2015 | Drama Desk Awards | Outstanding Director of a Musical | John Doyle |
2015 | Drama Desk Awards | Outstanding Lyrics | Fred Ebb |
2015 | Drama Desk Awards | Outstanding Music | John Kander |
2015 | Drama Desk Awards | Outstanding Musical | The Visit |
2015 | Drama Desk Awards | Outstanding Set Design | Scott Pask |
2015 | Drama League Awards | Distinguished Performance Award | Chita Rivera |
2015 | Drama League Awards | Distinguished Performance Award | Roger Rees |
2015 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | The Visit |
2015 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Chita Rivera |
2015 | Outer Critics Circle Awards | Outstanding Book of a Musical | The Visit |
2015 | Outer Critics Circle Awards | Outstanding Lighting Design | Japhy Weideman |
2015 | Outer Critics Circle Awards | Outstanding New Broadway Musical | The Visit |
2015 | Tony Awards | Best Book of a Musical | Terrence McNally |
2015 | Tony Awards | Best Lighting Design of a Musical | Japhy Weideman |
2015 | Tony Awards | Best Musical | Carlos Arana |
2015 | Tony Awards | Best Musical | Bruno Wang Productions |
2015 | Tony Awards | Best Musical | Taylor Cleghorn |
2015 | Tony Awards | Best Musical | Sandi Moran |
2015 | Tony Awards | Best Musical | Mark Lee |
2015 | Tony Awards | Best Musical | Ed Filipowski |
2015 | Tony Awards | Best Musical | Blodgett Calvin Family |
2015 | Tony Awards | Best Musical | Gabrielle Palitz |
2015 | Tony Awards | Best Musical | Weatherby & Fishman LLC |
2015 | Tony Awards | Best Musical | Marguerite Hoffman |
2015 | Tony Awards | Best Musical | Jeremy Youett |
2015 | Tony Awards | Best Musical | Terry Loftis |
2015 | Tony Awards | Best Musical | Veenerick & Katherine Vos Van Liempt |
2015 | Tony Awards | Best Musical | 42nd club |
2015 | Tony Awards | Best Musical | Silva Theatrical |
2015 | Tony Awards | Best Musical | Williamstown Theatre Festival |
2015 | Tony Awards | Best Musical | The Shubert Organization |
2015 | Tony Awards | Best Musical | Kate Cannova |
2015 | Tony Awards | Best Musical | Peter Stern |
2015 | Tony Awards | Best Musical | The Visit |
2015 | Tony Awards | Best Musical | Tom Kirdahy |
2015 | Tony Awards | Best Musical | Edgar Bronfman, Jr. |
2015 | Tony Awards | Best Musical | Tom Smedes |
2015 | Tony Awards | Best Musical | Hugh Hayes |
2015 | Tony Awards | Best Musical | Ted Snowdon |
2015 | Tony Awards | Best Musical | Judith Ann Abrams |
2015 | Tony Awards | Best Musical | Rich Affannato |
2015 | Tony Awards | Best Musical | Hunter Arnold |
2015 | Tony Awards | Best Musical | Carl Daikeler |
2015 | Tony Awards | Best Musical | Ken Davenport |
2015 | Tony Awards | Best Musical | Bharat Mitra |
2015 | Tony Awards | Best Musical | Bhavani Lev |
2015 | Tony Awards | Best Musical | Peter May |
2015 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Fred Ebb |
2015 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | John Kander |
2015 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Chita Rivera |
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