Lombardi, a new American play from Academy Award-winning playwright Eric Simonson, is based on the best-selling Vince Lombardi biography “When Pride Still Mattered”, by Pulitzer Prize-winning author David Maraniss.
Sport produces great human drama and there is no greater sports icon to bring to theatrical life than a man recognized not only as one of the greatest coaches of all time, but one of the most compelling and oft-quoted individuals in American pop culture in the 20th century. Though football’s Super Bowl trophy is named for him, so few know the real story of Vince Lombardi the man – his inspiration, his passion, and ability to drive people to achieve what they never thought possible. In a time when people continue to look for shortcuts to success, his story demonstrates that hard work, discipline, respect and time are the crucial elements to victory.
Researchers have calculated that in your average three-hour NFL broadcast, the ball is in actual play for roughly 11 minutes. I can guarantee that, for the 95-minute duration of Lombardi, Dan Lauria’s bellowing-to-speaking ratio is twice as much. Portraying the iconic coach who transformed his losing Green Bay Packers into serial winners in the early ’60s, Lauria barks, shouts, howls, roars, and—for subtle effects—growls ominously. Vince Lombardi, we learn in Eric Simonson’s canny and humorous script, was not a man given to understatement or mild utterance; through force of will and steel-reinforced lungs he vociferated his way into sports history.
Eric Simonson's play is told through the eyes of a Look magazine reporter who spent a week with Lombardi during the 1965 season, providing an excuse for lots of irrelevant talk about editors and deadlines, but almost no useful insights into Lombardi (played, just adequately, by former Wonder Years star Dan Lauria), aside from the fact that he apparently yelled a lot. Instead, we waste a lot of time with Lombardi's wife (Judith Light) and three Packer stars — Paul Hornung, Jim Taylor and Dave Robinson — who don't act as though they could tell the difference between a safety blitz and a safety razor.
2010 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2011 | BroadwayWorld Awards | Best Featured Actress in a Play | Judith Light |
2011 | Drama Desk Awards | Outstanding Featured Actress in a Play | Judith Light |
2011 | Drama Desk Awards | Outstanding Set Design | David Korins |
2011 | Drama Desk Awards | Outstanding Set Design | Zachary Boroway |
2011 | Outer Critics Circle Awards | Outstanding Actress in a Play | Judith Light |
2011 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Judith Light |
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