Martha’s Vineyard, 1974: shooting on ‘Jaws’ has stalled. The film’s lead actors – Robert Shaw, Roy Scheider and Richard Dreyfuss – are stuck on a boat, at the mercy of foul weather and a faulty mechanical co-star. Awash with alcohol and ambition, three hammered sharks start to bare their teeth…Directed by Guy Masterson, THE SHARK IS BROKEN reveals the hilarious behind-the-scenes drama on one of Hollywood’s biggest blockbusters.
Jaws was action-packed. The Shark Is Broken is all talk, and a pattern emerges. Shaw and Dreyfuss clash. Scheider referees. It gets repetitive over the 95-minute run time. On the plus side, there are moments when the warring trio clicks and a sort of camaraderie shines through. Plus, the co-authors seasoned the script with laughs. Some humor comes with a knowing wink. There’s a comment about Richard Nixon, who resigned the presidency during the film shoot, being the most immoral president ever. There’s scoffing about the unseen Spielberg, whose next movie will be about, of all things, aliens. And Scheider vows he’ll never do a Jaws sequel. Never say never. Director Guy Masterson guides the evocative production and fine-tuned cast. In the least showy part, Donnell (Anything Goes, Chicago Med) lends ballast as the even-keeled Scheider. Brightman, a Tony nominee for School of Rock and Beetlejuice the Musical, proves to be a master of mimicry and cranks the nerdy, needy intensity to 11 as Dreyfuss. Ian Shaw is a dead ringer for his dad and is fun to watch simply for that reason. The play is, ultimately, a valentine to Robert Shaw. The filming of Quint’s chilling monologue about the atomic bomb in Jaws, a speech he was too drunk to get right in the first take, concludes the play on serious note. Occasionally, between “action” and “cut,” there’s smooth sailing. As it bites into movie history, The Shark Is Broken makes for a diversion worth sea-ing.
The problem facing the playwrights is finding a new hook (sorry) in telling this oft-told making-of-a-fish tale. Much of the behind-the-scenes details have been widely known since the 1970s, in part due to the outstanding memoir The Jaws Log by screenwriter Carl Gottlieb. Indeed, the on-set difficulties have become so entrenched in cultural lore that the title of this play needs no explanation or elaboration to reel in audiences. And even though the film cast’s personality clashes are nearly as legendary as the mechanical shark’s short circuits, the play’s authors and performers deliver such nicely detailed characterizations that The Shark Is Broken holds our interest throughout its 95 minutes.
2021 | West End |
West End |
2023 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2024 | Outer Critics Circle Awards | Outstanding New Broadway Play | Joseph Nixon |
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