Based on the satirical play by Friedrich Durrenmatt as adapted by Maurice Valency, The Visit is about greed, love, and one woman's carefully plotted revenge. The oft-widowed Claire Zachanassian (Chita Rivera), richest woman in the world, returns to the hardship-stricken town of her birth. The locals pray that her wealth will bring them a new lease on life, but her arrival carries a dreadful price. Tony Award winner Roger Rees co-stars as Anton Schell, the man who scorned Claire years ago. Sardonic and morally complex, The Visit asks "What can your heart afford?"
The version now on Broadway is the same I caught last summer at Williamstown Theatre Festival, and it remains fascinating and alluring, if finally repetitive and frustrating...studded with Kander & Ebb's Weill-and-vamp song stylings (however sleek and insinuating), it becomes a musical where the numbers retard the forward motion, which is, anyway, linear and predicable: Claire will have her revenge, and corruptible society will help her. Great acting wouldn't turn the mismatch into a great musical, but it also wouldn't hurt: Rivera, of course, is naturally commanding and regal, but a better dramatic actor would squeeze more mileage from Claire's mix of sadism and self-pity. Rees does well playing Schell as a husk of a man, but his Rex Harrison school of speak-singing drains power from the songs.
The work is both recognizable Kander and Ebb style and a departure and is the last they created together...it comes across as something of a morality play or fable. Its book by Terrence McNally relies on symbolism and ideas more than multifaceted characters. Director John Doyle's staging and the music both call to mind a contemporary oratorio, with the company facing front for much of the staging and a score that pulls in dissonance, percussive noise and intricate textures. The form is fascinating, as are the central issues and the strangeness of the piece...But the book and lyrics can be blunt and redundant...As Claire...Rivera...savors her dry punch lines. Still, at this stage in her venerable career, she's mostly speak-singing, even when there's an appealingly eerie chorus of her countertenor eunuchs to back her. Roger Rees telegraphs excitement in his scenes with her, and we feel the weight on him as he considers his possibilities.
1999 | New York |
Reading New York |
2001 | Broadway |
Original Broadway Production [Cancelled] Broadway |
2001 | Chicago (Regional) |
World Premiere Chicago (Regional) |
2004 | Off-Broadway |
Original Off-Broadway Production [Cancelled] Off-Broadway |
2007 | Arlington, VA (Regional) |
Signature Theatre Production Arlington, VA (Regional) |
2008 | Arlington, VA (Regional) |
Kander & Ebb Celebration Production Arlington, VA (Regional) |
2014 | Williamstown, MA (Regional) |
Williamstown Theatre Festival Production Williamstown, MA (Regional) |
2015 | Broadway |
Original Broadway Production Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2015 | Drama Desk Awards | Outstanding Actress in a Musical | Chita Rivera |
2015 | Drama Desk Awards | Outstanding Book of a Musical | Terence McNally |
2015 | Drama Desk Awards | Outstanding Director of a Musical | John Doyle |
2015 | Drama Desk Awards | Outstanding Lyrics | Fred Ebb |
2015 | Drama Desk Awards | Outstanding Music | John Kander |
2015 | Drama Desk Awards | Outstanding Musical | The Visit |
2015 | Drama Desk Awards | Outstanding Set Design | Scott Pask |
2015 | Drama League Awards | Distinguished Performance Award | Chita Rivera |
2015 | Drama League Awards | Distinguished Performance Award | Roger Rees |
2015 | Drama League Awards | Outstanding Production of a Broadway or Off-Broadway Musical | The Visit |
2015 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Chita Rivera |
2015 | Outer Critics Circle Awards | Outstanding Book of a Musical | The Visit |
2015 | Outer Critics Circle Awards | Outstanding Lighting Design | Japhy Weideman |
2015 | Outer Critics Circle Awards | Outstanding New Broadway Musical | The Visit |
2015 | Tony Awards | Best Book of a Musical | Terrence McNally |
2015 | Tony Awards | Best Lighting Design of a Musical | Japhy Weideman |
2015 | Tony Awards | Best Musical | Carlos Arana |
2015 | Tony Awards | Best Musical | Bruno Wang Productions |
2015 | Tony Awards | Best Musical | Taylor Cleghorn |
2015 | Tony Awards | Best Musical | Sandi Moran |
2015 | Tony Awards | Best Musical | Mark Lee |
2015 | Tony Awards | Best Musical | Ed Filipowski |
2015 | Tony Awards | Best Musical | Blodgett Calvin Family |
2015 | Tony Awards | Best Musical | Gabrielle Palitz |
2015 | Tony Awards | Best Musical | Weatherby & Fishman LLC |
2015 | Tony Awards | Best Musical | Marguerite Hoffman |
2015 | Tony Awards | Best Musical | Jeremy Youett |
2015 | Tony Awards | Best Musical | Terry Loftis |
2015 | Tony Awards | Best Musical | Veenerick & Katherine Vos Van Liempt |
2015 | Tony Awards | Best Musical | 42nd club |
2015 | Tony Awards | Best Musical | Silva Theatrical |
2015 | Tony Awards | Best Musical | Williamstown Theatre Festival |
2015 | Tony Awards | Best Musical | The Shubert Organization |
2015 | Tony Awards | Best Musical | Kate Cannova |
2015 | Tony Awards | Best Musical | Peter Stern |
2015 | Tony Awards | Best Musical | The Visit |
2015 | Tony Awards | Best Musical | Tom Kirdahy |
2015 | Tony Awards | Best Musical | Edgar Bronfman, Jr. |
2015 | Tony Awards | Best Musical | Tom Smedes |
2015 | Tony Awards | Best Musical | Hugh Hayes |
2015 | Tony Awards | Best Musical | Ted Snowdon |
2015 | Tony Awards | Best Musical | Judith Ann Abrams |
2015 | Tony Awards | Best Musical | Rich Affannato |
2015 | Tony Awards | Best Musical | Hunter Arnold |
2015 | Tony Awards | Best Musical | Carl Daikeler |
2015 | Tony Awards | Best Musical | Ken Davenport |
2015 | Tony Awards | Best Musical | Bharat Mitra |
2015 | Tony Awards | Best Musical | Bhavani Lev |
2015 | Tony Awards | Best Musical | Peter May |
2015 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Fred Ebb |
2015 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | John Kander |
2015 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Chita Rivera |
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