Fall In Love All Over Again.
One of the most beloved romances of all time is now on Broadway! Pretty Woman: The Musical, features direction and choreography by two-time Tony Award winner Jerry Mitchell (Kinky Boots, Legally Blonde, Hairspray), an original score by Grammy winner Bryan Adams ("Summer of '69," "Everything I Do") and his longtime songwriting partner Jim Vallance, and a book by the movie's legendary director Garry Marshall and screenwriter J.F. Lawton. Starring Samantha Barks and Andy Karl.
Once upon a time in the late '80s, unlikely soulmates Vivian and Edward overcame all odds to find each other... and themselves. Experience the moments you love from the movie - and get to know these iconic characters in a whole new way - in this dazzlingly theatrical take on a love story for the ages. Brought to life by a powerhouse creative team representing the best of music, Hollywood and Broadway, Pretty Woman: The Musical will lift your spirits and light up your heart.
Jerry Mitchell directs and choreographs, with book by Garry Marshall and J.F. Lawton, and music & lyrics by Bryan Adams and Jim Vallance.
Not that 'Pretty Woman' is terrible-it's just mediocre, albeit to a mind-boggling degree. The only noteworthy thing about 'Pretty Woman,' in fact, is the incalculably wide gap between the time, money and talent that went into moving it from screen to stage and the comatose tedium of the results currently on view at the Nederlander Theatre.
The cast makes the most of what Pretty Woman allows them. The winsome Barks, who played Éponine in the movie Les Misérables, sings very well and has a believable connection with Karl, who undersells his sexiness wisely. Orfeh provides sass and power vocals as Vivian's best friend, and Jason Danieley is a solidly smarmy villain; Eric Anderson injects humor and showmanship into his dual roles as a street-singing narrator and a benevolent hotel manager. But although it is capably staged, the show has no reason to exist beyond, one assumes, a desire to make money by pimping out a familiar property. Broadway can do better than the same old tricks.
2018 | Chicago |
World Premiere Chicago |
2018 | Broadway |
Original Broadway Production Broadway |
2020 | US Tour |
First National Tour US Tour |
2021 | West End |
Original West End Production West End |
2023 | US Tour |
US Tour US Tour |
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