Direct from a sold-out run in London's West End, the critically-beloved, Shakespeare's Globe productions of Twelfth Night and Richard III come to Broadway for a 16-week limited engagement. Two of The Bard's finest plays are performed in repertory by a remarkable cast featuring two-time Tony Award winner Mark Rylance (Jerusalem, Boeing-Boeing), Golden Globe nominee Stephen Fry (Wilde, Sherlock Holmes: A Game of Shadows) and Tony Award nominee Samuel Barnett (The History Boys).
These classics are presented in the custom of how Shakespeare's plays were originally staged, with an extraordinary all-male company playing male and female roles; actors participating in the pre-show ritual of dressing and preparing their make-up on stage, in front of the audience; music played live on traditional instruments; and lighting created almost exclusively by 100 on-stage candles, adding to the intimate and authentic atmosphere. This is delightfully funny, timeless Shakespeare at its absolute finest, and it is not to be missed!
Richard Duke of Gloucester (Mark Rylance) is determined that he should wear the crown of England. He has already dispatched one king and that king's son; now all that stands in his way are two credulous brothers and two helpless nephews - the Princes in the Tower. And woe betide those - the women he wrongs; the henchmen he betrays - who dare to raise a voice against him. Monstrous, but theatrically electric, Richard is Shakespeare's most charismatic, self-delighting villain, reveling at every moment in his homicidal, hypocritical journey to absolute power.
While this is the most amusing 'Richard' I've ever seen, it's important to emphasize that it's not a burlesque. It's Shakespeare's play, as Rylance and director Tim Carroll conceive it.
Viewers of the Netflix political drama “House of Cards” might detect the influence of Richard III on Kevin Spacey’s Frank Underwood (Spacey appeared as an energetic Richard III at BAM last year): Richard’s ruthless scheming, shameless manipulation and direct asides to the audience as he confides to us his monstrous plans pretty much set the bar for the cold-blooded quest for political power.
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2014 | New York Drama Critics Circle Awards | Special Citation | 0 |
2014 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Mark Rylance |
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